Toccata in G Minor

Description

This rollicking fugue which concludes Bach’s harpsichord Toccata (BWV 915) is a wonderful example of the form.
The entire Toccata consists of three movements, and is among Bach’s earliest works. It was composed in 1708, Bach’s first year as court organist and chamber musician at Weimar. There is a notable use of the subject in inverted form (riverso), as well as in fragmentation. The countersubject also appears in these other formats.

The work should be played in the style of a jig, or gigue in Bach’s language, with a loose, dancing bow style. It is important not to shorten the quarter note by stopping the bow before the eighth note is played. Instead, use a momentary release of pressure to create the rhythmic definition. Players should also strive to avoid undue emphasis on the third eighth note in each beat. Be sure to pay close attention to dynamics and balance-the fugue subiect should always be the dominant part in the orchestra. The opening and closing sections may be played in a somewhat free tempo, utilizing a rubato (“fantastic) style, with the bow on the string rather than off.

Fingerings in the parts are suggested in the interests of musicality and playability.

Published by: String Instrument Specialists